Quirky And Colorful, But Here To Stay? New York - It wasn't that long ago that antique and vintage dealers everywhere were clamoring for anything Mid-Century Modern (MCM). Even poorly imitated copies of this twentieth-century motif were being snatched up as quickly as they were being produced. However, over the last few years, many in the decorative arts community have been noticing a change in tastes, one that seems to favor a shift away from the more austere lines of the MCM movement, and towards a more playful and vibrant aesthetic complemented by bold colors and a mish-mash of design elements. Known as the Memphis Design Style (MDS, or "New" Memphis Design Style), this peculiar and somewhat quirky decorative arts period from the 1980s seems to be having 'a moment' with many of today's vintage collectors and buyers. Originally conceived by Italian architect Ettore Sottsass and twenty-two other like-minded colleagues, they formed the Memphis Group, also known as Memphis Milano, with an infusion of rebellious spirit directed against the prevailing design trends of the era. They rejected the sleek and streamlined styles such as mid-century modern and brutalism, opting instead for a more avant-garde approach. This group unveiled their innovative Memphis Style at the 1981 Milan Furniture Fair, the renowned Salone del Mobile. Their creations merged the influences of Art Deco and pop art, featuring audacious color palettes, daring geometric shapes, inexpensive materials, and patterns that clashed in a seemingly chaotic but deliberate manner. This audacious style garnered international recognition and polarized consumers, who either embraced or rejected it. Carey Saunders, a long-time vintage dealer from southern California, says she's been all in on the Memphis Style for a number of years now. Like many dealers on the west coast, Saunders says that she'd always been heavily invested towards MCM inventory in the past simply because of its salability. "For years that's all we sold," she says, "but I remember a time as a child when my folks had this 'look' in our two-story condo, so I started searching around for items that reminded me of that." Saunders says that by 2018, she'd amassed a fairly extensive collection and began to offer it for sale on her website under the Memphis Design Style moniker. "I had no idea it would be so popular," she conceded, "it literally took off from day one." It's not just young people either, according to Saunders, who says that while the design motif probably fits in with young modern urbanites more than anyone else, she's also seen it adopted by older collectors who have a sense of nostalgia for the 80s theme and time period. Colorful furniture like the Bel Air armchair by Peter Shire from 1982, symbolizes what Saunders believes is the essence of the Memphis Style. However, it's not just those in the antique and vintage business that are noticing the trend, says Trevor Albero, who works as a consultant for a Roma design studio with offices in both New York and Italy. "Many of the downtown buildings we refurbish and restore are also furnished by us as well," he says. "In the past that would often include a good number of MCM pieces, but today we're executing a lot of Memphis Design style elements into our overall approach." Albero feels that MCM has reached it's zenith with many of his firms clients, "They want something new, not necessarily linear, but something with a little more color and pizazz." Albero says he's also aligned with many others within the industry in the belief that nostalgia is one of the primary drivers behind the renewed interest in the Memphis stylings. "The 1980s was a period marked by a unique blend of exuberance, optimism, and innovation," he says, "as people look back on the decade with fondness and nostalgia, they often seem to be drawn to the design elements that evoked those spirited aesthetics." Albero believes that Memphis Design's signature use of vibrant colors and playful shapes resonates with those who have a deep-seated affection for the 1980s, and serves as a way to infuse a sense of nostalgia into contemporary living spaces. "Many people confuse the overt, over-the-top look of the Memphis Style with it's more refined and toned-down aesthetic that blends easily with other similarly themed pieces," he says, "it's all about balance." For Karen Smith, whose vintage resale business, and Miami interior design firm that preaches all things 80s, it's been a long road coming to where we are today. "I've always loved the crazy colors and design features that came with the Memphis Style," she says. "but it's clearly not for everyone." Smith says that there are definite demographics and geographic considerations related to this motif. "I don't think Memphis will necessarily work on a farm in Idaho as well as it would on South Beach," she says, "but then again, I wouldn't expect to find many antique or vintage dealers offering this type of décor in the heartland either." Smith says that up until about five years ago finding any authentic pieces from the 1980's was difficult, but that today she's seeing plenty of reproductions on previously themed MCM home furnishing sites like West Elm and even more mainstream companies like Wayfair. "At one point in time MCM was just about all I saw on these sites," she quipped, "but today there's definitely more choice, including a lot of Memphis stylings." However, even with the increase in demand, many antique and vintage dealers say they're going to take a 'wait-and-see' approach. For Pamela Arnold, who manages a group of vintage booths at an indoor antique mall near Chicago, it's all about scope. "Memphis Style may be having a bit of comeback," she says, "but the reality is that it wasn't that big of a movement to begin with, not like Mid-century modern was." Arnold feels that Memphis stylings will likely be much more regional in popularity than anything. "I can see both the coasts getting into this," she says, "but I really think it's a very particular type of décor that's going to have to be paired with a very particular type of home and individual." In the end, Carey Saunders also believes that the Memphis Style is likely to exhibit only a regional charm at first, in much the same way MCM did, but thinks it will slowly expand to other urban centers beyond just the coasts. "Memphis is a combination of nostalgia, a desire to break free from minimalism, and a fascination with unique and playful aesthetics," she says. The move toward artistic expression in interior design and the limited availability and rarity of original pieces is what Saunders sees as the likely fuel for growth. "If you look at the trajectory and reemergence of MCM," she says, "there are striking similarities as to where this might go..." - A.I.A Staff Writers NOTE: For readers seeking more information about the Asheford Institute Of Antiques distance-learning program on professional-level appraising, the study of antiques, collectibles, vintage and mid-century modern, please click here to visit the school's Home Page. Should you have additional questions about the Asheford program, you can also write to the school at: info@asheford.com or call the Registrar's Office toll-free at: 1-877-444-4508. Comments are closed.
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October 2024
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